About
I have 26 years experience as a performer and also as a director-choreographer, I have been on both sides of the auditioning table and am currently working on both sides of the table with such artists as Michael Mayer, Lorin Latarro, Jeff Calhoun, Dick Scanlan. I have staged work on Broadway and on TV, I know how to set you up for success in presenting your best self.
I have taught workshops and masterclasses for prestigious institutions like the Boston Conservatory, University Of Michigan, Elon University, Seattle's 5th Avenue Theatre.
I teach group workshops and individual instruction. In groups or one on one, I have developed a teaching style that addresses each students challenges and strengths, channelling their energy into positive results.
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Frequently asked questions
What is your typical process for working with a new student?
Physical relaxation/alignment.
Breath work.
Script analysis, character enterpretation, beat/adjustment structures.
Emotional landscape.
Diction.
What education and/or training do you have that relates to your work?
Boston Conservatory - 4 year Bachelors degree in Musical Theatre, emphasis on Acting
27 years as a Professional Performing Artist on stage and screen.
Do you have a standard pricing system for your lessons? If so, please share the details here.
Sliding scale correlating to employment/income.
How did you get started teaching?
People asked me to help them, coaching.
What types of students have you worked with?
All types. Beginning non-professionals, college-bound High School Students, Idustry-bound College grads, Current Broadway professionals.
Describe a recent event you are fond of.
Movement Director for The Terms Of My Surrender, directed by Michael Mayer on Broadway.
What advice would you give a student looking to hire a teacher in your area of expertise?
Find a teacher you can communicate with, and who sees your particular struggles and challenges, helps you to identify your habits and strengths.
What questions should students think through before talking to teachers about their needs?
What do they want to work on. Auditions, technique, repertoire, a combination of all three?