Harpist Emily
About
Harpist Emily Carpenter is a recent graduate of the Cleveland Institute of Music under the tutelage of Yolanda Kondonassis. Carpenter completed her undergraduate studies at Oklahoma City University summa cum laude with a Bachelor’s of Music in Harp Performance, and recently achieved a Master of Music degree in Harp Performance.
Carpenter was awarded the Alice Chalifoux Prize in Harp from the Cleveland Institute of Music. Carpenter received the First Place prize in the LMC Zachritz Harp Competition in 2020, and made her solo debut with the Oklahoma City Community Orchestra with a world premiere of Smetana’s Die Moldau transcribed for harp and orchestra. She has frequently performed with the Oklahoma City University Orchestra, the Oklahoma Youth Orchestras, Oklahoma City Symphonic Band, and the Oklahoma City Community Orchestras.
Carpenter is a private event soloist and teaches harp and piano lessons. She is now based in Oklahoma City.
The study of music has changed my life and bettered me as a person. I have a passion for the music I play and I am honored to share that passion with my students. The harp is an incredible instrument and it brings me much joy!
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Frequently asked questions
What is your typical process for working with a new student?
We will begin by developing a solid foundation of technique and music theory, while learning to communicate emotion and passion through music.
What education and/or training do you have that relates to your work?
I am a recent graduate of the Cleveland Institute of Music, where I recieved my Masters of Music under Yolanda Kondonassis. I recieved my Bachelors of Music in 2020 from Oklahoma City University.
Do you have a standard pricing system for your lessons? If so, please share the details here.
The standard rate for a one-hour lesson is $60, and the rate for a half-hour lesson is $30. I recommend weekly lessons, but lesson frequency is completely up to the student.
How did you get started teaching?
I began teaching in 2015, and have continued to give lessons, masterclasses, and lectures on the harp throughout my education.
What types of students have you worked with?
I have worked with complete beginners, intermediate players, college students, and composers looking to better understand the harp.
Describe a recent event you are fond of.
I am so blessed to have worked with Yolanda Kondonassis throughout graduate school. I learned so much through her teaching and mentorship, and I will always look fondly upon my time in Cleveland.
What advice would you give a student looking to hire a teacher in your area of expertise?
It is important to have a teacher that has a deep understanding of the instrument and who has worked with a wide variety of students.