Matt Eakle, Flute Teacher
About
I started my career as a professional classical flutist. Since 1989 I've been the flutist in the David Grisman Quintet (and Sextet). I earn my living performing. Performing professionally has given me a deeper understanding of what matters most.
The thing I emphasize most is tone. Your sound is your emotional voice. Second in importance is time. Good time is what gets people's physical bodies moving. Third is the melodic content, the notes. The notes communicate the details of the story you're telling.
My biggest joy is sharing the passion I have for music and seeing my students passion for music grow as a result of deeper understanding and better technique.
I studied with a dynamic classical flute teacher whose musical virtuosity was matched by his enthusiasm to share his love of the flute. My desire to teach is largely motivated by a desire to continue his legacy of excellence.
Highlights
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Frequently asked questions
What is your typical process for working with a new student?
I ask my students what they would like to accomplish. After determining the student's goals, I assess their skill level and suggest a plan of action that addresses the areas which need work in order to attain the student's goal.
What education and/or training do you have that relates to your work?
I studied classical music with a brilliant classical flutist, David Subke. His father was principal flute in the SF Opera Orchestra. After spending time in the Army Band and studying for a year at Hayward State University I began my career playing in local ballet, opera and symphony orchestras.
My jazz mentor was guitarist, Davis Ramey. Davis was professor of guitar at SF State University. We had a trio for many years with cellist and 2 time Grammy winner, Mark Summer. At 29 I met mandolin virtuoso, David Grisman, he hired me 4 years later (1989) and I've played and recorded with him ever since. As far as I know, I'm the only professional bluegrass flute player in the world.
Do you have a standard pricing system for your lessons? If so, please share the details here.
I charge $80/hour.
How did you get started teaching?
I had a wonderful teacher who had flawless technique and produced the most beautiful sound I've ever heard. In 1977, after studying for 7 years I started performing professionally in bands and orchestras, and teaching.
What types of students have you worked with?
I've worked with students of every skill level: beginners who don't yet know how to play a note, professionals who want to buff up their technique and a lot of students who were between those extremes. I enjoy teaching elementary school, middle school, high school and college students, as well as working adults and retired people.
Describe a recent event you are fond of.
Last weekend I traveled with the David Grisman Sextet to West Virginia to perform at a Bluegrass Festival. Ricky Skaggs, one of the most famous bluegrass mandolin virtuosi, was performing before us. David Grisman invited Ricky onstage to play with us. Listening to and playing with two of the greatest mandolinists in the world was something I'll remember for a long time.
What advice would you give a student looking to hire a teacher in your area of expertise?
Listen to recordings of the teacher and decide if you want to sound like that. Find someone whose sound and style appeals to you and ask them if they teach.
What questions should students think through before talking to teachers about their needs?
In general, students should feel comfortable communicating with their teacher. Students shouldn't feel they have to think through their questions before talking to their teacher. If your teacher makes you feel uncomfortable or stupid asking questions, it's time for a new teacher.