Answers to commonly asked questions from the experts on Lessons.com.
How much do photography classes cost?
Photography classes cost$80 to $300 at a local photography center, museum, or online course provider. A beginner photography course at a university costs $250 to $500+, while the cost for a photography degree program is $10,000 to $30,000 per year on average.
Prices depend on the type of class, skill level, and your location. A basic Introduction to Photography class typically costs less than advanced classes or workshops taught by an experienced photographer.
Why take photography classes, and are they worth it?
A photography class is worth it if you want to master your camera, learn new techniques, and gain the ability to capture moments in exciting, memorable images. You do not need to be an aspiring professional photographer or artist to benefit from a class.
You'll learn to observe the world around you in new ways and develop an eye for details, light, color, shape, and texture. Through expert feedback from the instructor, you'll identify areas where you need improvement and become a better photographer as a result.
What do you learn in a photography class?
A beginner photography class teaches basic camera skills and techniques, including:
The exposure triangleāaperture, shutter speed, and ISOāand how each setting affects motion, depth of focus, and noise in your images
Light and how it affects your photos
Composition techniques, the Rule of Thirds, and leading lines
Color, shape, and texture
White balance
Lenses and filters
More advanced photography classes teach post-processing techniques in Photoshop, Lightroom, or other similar photo editing programs. Post-processing techniques include color correction, retouching, adjusting contrast and sharpness, and more.
Advanced courses may also focus on a specific type of photography, such as landscape photography, portrait photography, or street photography
Do I need my own camera to take a photography class?
Most photography classes require you to bring your own camera. However, if you're interested in exploring photography before investing in your own camera gear, consider taking a class anyway. Whether you take photos with your cellphone or a high-end digital camera, you can benefit from the skills learned in the class.
During the class, you'll learn not just how to take great photos but also about the features you'd like in a more complex camera, as well as the best lenses and filters for the type of photography you're interested in. This knowledge will better prepare you for the expensive purchase.
Can you take photography classes online?
Yes, you can take photography classes online through universities, web course providers like CreativeLive and SkillShare, and a wide variety of websites dedicated specifically to photography. Most sites offer both beginner photography classes and a vast selection of intermediate and advanced classes focused on specific types or aspects of photography.
Where can I take photography classes near me?
Keep these tips in mind when choosing a photography class:
Look for a course targeted toward photographers at your skill level. Advanced photographers may want to consider taking a workshop with a specific photographer instead of a class.
Decide if you want to take a class that focuses on a specific style or type of photography.
Read the instructor's reviews on Lessons and Google.
Check out the instructor's portfolio, as well as portfolios from previous students.
What questions should I ask photography instructors?
Ask the instructor these questions before enrolling in the class:
What skill level is this class designed for?
What topics will the class cover?
Do I need to bring my own camera?
Where will the class meet?
Will the class include instructor feedback?
Will you share our photos on the school website or social media?
Reviews for North Miami Beach photography classes
Recent success stories from people in the North Miami Beach area.
Brian S.
Highly recommended! He really sparks my imagination and he is a very patient instructor. He is the best.
Alejandro Cuadra
Michele H.
Jeremiah is a very knowledgable and personable professional. If you are interested in taking Photography classes for advancing your hobby or to become a working professional his way is a fun and interactive way. I highly recommend him and grateful for his experience and inspiration.
JMJ Photographic Services
Monzo M.
Good pedagoge and excellent contact
Gio Morales Photography
Kathryn D.
He's the best teacher/mentor I ever had, and I don't think I could ever work and learn from anyone better. He's taught me everything I know about oil painting, drawing, photography, engraving -- literally EVERYTHING. He's so inspiring and attentive; he knows how to create almost anything (very well-rounded instructor). I've known Mr. Ouporov for years, he taught me so much about art and gave me the ambition to pursue it as a career. I used to draw little cartoons and disproportionate anime drawings in my sketchbook, and now I'm doing 6ft tall classical oil paintings. There's always a mutual sense of intellectual/artistic engagement, where you always feel like you're being supported, not judged. He's very professional and always enthusiastic to work with students.
Pasha Pasha art
Miguel S.
I am so glad that I found Eddie since he is a true professional in the photography world! He runs his own business and you can tell he has tons of experience. I let him know that I am new to this and requested to review the fundamentals of photography. He did not mind starting from scratch and I even got to do some hands-on examples. Eddie was patient and able to answer all my questions in-depth. I will continue taking classes with him as my skill progresses. I definitely recommend, 10/10, you won't regret.
Photography by Eddie
Parker L.
I worked with Pamela at Calipso one afternoon to learn how to take better outdoor photos of my clients and our natural surroundings with my inexpensive Android smart phone.
She was patient with my inexperience and the limitations of my hardware. Also, Pamela was willing to put up with the conditions (water, weather, wild animals, mosquitoes, etc) in my job (we are a team of paddleboard/kayak tour guides).
In particular, her well organized, start-from-the-basics approach to teaching was what made the session worthwhile for me. Pamela taught color-theory, the importance of lighting, use of filters, distance, angles, shooting positions and even how to manage models in such a way that a non-artistic type like me would understand!
My photo game has greatly improved in one session with Pamela and I highly recommend her services as a photography instructor.
calipsophotography
Ernesto
He is an excellent professional.
LuisAvilaPhotography
Renato R.
A Chance Encounter . With Eduardo Capilla.
The mind jumps to one side and the other, towards the unstoppable search for a new discontinuity. The permanent exercise of a relocation, the balancing music theory of the artist, achieves and decides, in a dissolution, the object that the attempt indicates: the work.
The artist decides to appropriate the axis where to support the balance of the mind.
Thus, when the vectors of a multidirectional energy are brought together, which it does not "know" but its sensitivity "possesses", in a zone of evidence it constitutes, floating and isolated, the reference point in the infinite plane of its sensitive "discomfort". Discomfort off in the instant prior to the highlighting of that brand that is the so-called artistic object. Artistic to support that ostentatious gratuity that is a condition of its architecture. NOTION is the nomenclature that protects this decision by Eduardo Capilla, and that in a desire for intellectual roots tells us that it is a CONCEPT.
Affirmed already in this possession, the mind is axis and balance, and in the mobile knot that this position finds, a bud of will generates the crystallized artifacts from this totemic reference that is NOTION.
We must look at the rough world that the delicacy of this appropriation provides: it is the agitated dictation of infinite desired and unwanted conclusions, which are cut at that opportune moment that allows us to see for an instant what we could have forgotten without knowing. A state of paradox that is familiar to us at the moment of perception and flees towards a scale that hides it without hiding it, the one where we unmute: association.
NOTION: the optical permanence of the mind in a delicate signal.
Renato Rita
capilla
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Nearby photography classes in and around North Miami Beach