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Fine Art Lessons

5.0 (6)

25 years in business

About this pro

I am particularly passionate about the critical need for strong traditional skills of drawing to set a solid foundation for artmaking in any and all media. Drawing realistically from observation, understanding the properties of light, value, form, space, depth, texture and perspective, as well as fully integrating core design and composition principles is absolutely essential to the development of the artist.

My absolute favorite thing is when a student "gets" it - that "AH-HA" moment! Brings tears to my eyes every time!!!

Usually what is needed (and often sorely lacking in most arts education and training) is a good explanation of technique and principles, a clear and straightforward demonstration, and then guidance and some assistance in the execution of a skill - coupled with the student's passion and desire to learn and dedication to the necessary practice of course - to have a true breakthrough which paves the way for satisfying and fullfilling artistic development.

Credentials

Albany, NY 12208

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6 Reviews

5.0

Ryan Andrew Carll

Many years ago I was made aware about just how important a strong fine arts foundation is for any aspiring production artist. From understanding gesture and anatomy to recognizing how light plays on any form, Nina was instrumental in opening my eyes to understanding and developing these fundamentals. She is the most fundamentally rooted fine artist that I know and has a keen eye when it comes to drawing and painting from life. Not to mention she is a natural born instructor. In one of my versions of Utopia I would spend the rest of my days as an evolving artist under Nina's tutelage. Without question you can expect to be pushed to your limits, resulting in progressive artistic growth, from her mentoring.

2018-07-27
John Crouch

I attended The Art Institute of Pittsburgh in 2016 for a time and I had to drop it due to my work. I have gotten to know Professor Stanley over the last few years. I don't get to attend all of her sessions on Picarto TV and You Tube due to work, but every chance I can I jump in. She has been the most Inspirational Fine Artist I have ever known. For me she has become a "Mentor" of the Fine Arts. Her ability to keep her Students wanting more by treating them more as family and friends makes it easy to " Want to Learn More" She deserves more than "5 Stars" as a rating.

2018-07-11
Vi Killion

The level of expertise and accessibility of the instructor

2018-07-10
Darnell Earwood

Very supportive and understanding. Takes the time to teach correctly.

2018-07-10
Melissa Guay

Everyone has that one teacher that has touched them in some way and they want to take the knowledge that the teacher has given them and grow, and Nina is it. She is the diamond standing right beside all the coal. Nina not only makes you feel like part of a large family, she does care a great deal about your progress, if you need help on a certain section like drawing muscles for example even if your just figure drawing with her, she will stop and break down the section that you are having problems with which is wonderful to have as it helps you become a better artist. I personally have been studying with Nina for five years on and off now (Real life does beckon me once and while to come out of my mad wonderland and come to reality) and it’s been wonderful! You truly will not find a better teacher then Nina who will want to see you grow and will push you to do so!

2018-07-10
Bethany Edwards

She was amazing. I started my lessons with Ms Nina thinking that no matter what I would fail my class because of my less than stellar skills... I had only mastered doodles...but with her detailed lessons and in-depth feedback by the end of our lessons I actually produced something recognisable...and I had fun! I may never produce work worthy of the art world but The Mad Professor helped me find a new creative outlet where I can express myself :-)

2018-07-10

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FAQs

What is your typical process for working with a new student?

Assess initial skill level, then tailor instruction to build and strengthen core skills and develop technique, ability to see and interpret, understanding the "science" behind seeing and optics. I believe in a traditional atelier style of learning, where students work alongside the instructor on personalized projects as well as maintaining daily practice.

What education and/or training do you have that relates to your work?

BFA and MA in Painting and Drawing with an emphasis on human and animal anatomy and representational realism.