About
I am particularly passionate about the critical need for strong traditional skills of drawing to set a solid foundation for artmaking in any and all media. Drawing realistically from observation, understanding the properties of light, value, form, space, depth, texture and perspective, as well as fully integrating core design and composition principles is absolutely essential to the development of the artist.
My absolute favorite thing is when a student "gets" it - that "AH-HA" moment! Brings tears to my eyes every time!!!
Usually what is needed (and often sorely lacking in most arts education and training) is a good explanation of technique and principles, a clear and straightforward demonstration, and then guidance and some assistance in the execution of a skill - coupled with the student's passion and desire to learn and dedication to the necessary practice of course - to have a true breakthrough which paves the way for satisfying and fullfilling artistic development.
Reviews
Ryan C.
John C.
Vi K.
Darnell E.
Melissa G.
Bethany E.
Frequently asked questions
What is your typical process for working with a new student?
Assess initial skill level, then tailor instruction to build and strengthen core skills and develop technique, ability to see and interpret, understanding the "science" behind seeing and optics. I believe in a traditional atelier style of learning, where students work alongside the instructor on personalized projects as well as maintaining daily practice.
What education and/or training do you have that relates to your work?
BFA and MA in Painting and Drawing with an emphasis on human and animal anatomy and representational realism.