Karen M.

He is so knowledgeable and such an awesome teacher

Kathryn D.

He's the best teacher/mentor I ever had, and I don't think I could ever work and learn from anyone better. He's taught me everything I know about oil painting, drawing, photography, engraving -- literally EVERYTHING. He's so inspiring and attentive; he knows how to create almost anything (very well-rounded instructor). I've known Mr. Ouporov for years, he taught me so much about art and gave me the ambition to pursue it as a career. I used to draw little cartoons and disproportionate anime drawings in my sketchbook, and now I'm doing 6ft tall classical oil paintings. There's always a mutual sense of intellectual/artistic engagement, where you always feel like you're being supported, not judged. He's very professional and always enthusiastic to work with students.

Yolanda T.

As a student I enjoy the studio and the teaching approach that allows me to learn and channel my creativity. The Art Shack Miami is a welcoming and friendly environment where you can enjoy the learning process. It is a creativity powerhouse in Doral, FL.

Denyse S.

I can’t believe how much I’ve grown as an artist since I’ve met Eva. I love the friendly environment in class and the professional approach in the Stodio.

Renato R.

A Chance Encounter . With Eduardo Capilla. The mind jumps to one side and the other, towards the unstoppable search for a new discontinuity. The permanent exercise of a relocation, the balancing music theory of the artist, achieves and decides, in a dissolution, the object that the attempt indicates: the work. The artist decides to appropriate the axis where to support the balance of the mind. Thus, when the vectors of a multidirectional energy are brought together, which it does not "know" but its sensitivity "possesses", in a zone of evidence it constitutes, floating and isolated, the reference point in the infinite plane of its sensitive "discomfort". Discomfort off in the instant prior to the highlighting of that brand that is the so-called artistic object. Artistic to support that ostentatious gratuity that is a condition of its architecture. NOTION is the nomenclature that protects this decision by Eduardo Capilla, and that in a desire for intellectual roots tells us that it is a CONCEPT. Affirmed already in this possession, the mind is axis and balance, and in the mobile knot that this position finds, a bud of will generates the crystallized artifacts from this totemic reference that is NOTION. We must look at the rough world that the delicacy of this appropriation provides: it is the agitated dictation of infinite desired and unwanted conclusions, which are cut at that opportune moment that allows us to see for an instant what we could have forgotten without knowing. A state of paradox that is familiar to us at the moment of perception and flees towards a scale that hides it without hiding it, the one where we unmute: association. NOTION: the optical permanence of the mind in a delicate signal. Renato Rita

Dr. M.

Pablo's classes were the perfect plattform to develop my artistic passion. His constant encouragement together with his kind and wise advice guided me to explore and find my own expressive language consolidating my technique. Thanks to Pablo i became an abstract artist and was able to find and developed my own style of painting.

Cari S.

At the beginning of the class he explained the elements of design such as perspective, linear, atmospheric, value, shapes, which not all teachers take the time to do that. He also went over the composition, center of interest. He also talked to us about the materials. He brought a slide presentation of the different easels, and equipment for Plein Air painting. He was extremely thorough.

Rosa B.

Eric J Amsellem gave me the pulsion of painting with some efficient techniques. I couldn't imagine myself painting I learned very fast with almost no effort . the passion of painting now is part of my life and I know that he'll teach me more beautiful techniques and effects.