Katherine H.

As a theory teacher, Patrick Kreeger possesses the exact teaching style the subject requires. Patience, availability for questions and dedication to my desire to learn best define my experience with Patrick. It was such dedication that also made him call me out when he didn’t think I was doing my best or was making careless mistakes. Perhaps this wouldn’t be that outstanding except that Patrick did all of this long distance; he was in Philadelphia and I was in Delaware. He was timely in mailing me assignments and tests, and even more so in grading and returning them. I learned more from him in the 2 years I studied with him than I did in my last year of theory in my undergrad at music school. If you have the opportunity to study with Patrick Kreeger, consider yourself lucky. You couldn’t find better quality teaching elsewhere.”

Ryan W.

I have been getting guitar lessons with Bryan for over two years. As a forty something year old, who can be very stuck in his ways, Bryan has been abundantly patient with my slow learning process. He is thoroughly knowledgable of the guitar, adapts to my learning curve, finds real life examples that helps move me along in the right direction. So very thankful I decided to go with Bryan as my teacher. He does the music world good simply being the kind of teacher he is.

Maria W.

I came to Keith for help with my tendency to tighten up so much I could produce a note. He focuses on proper physical management of one's vocal instrument (body) to produce beautiful sound without strain. I now enjoy singing again and have improved my range as well as surprised myself with the quality of sound I can now produce. Keith is very supporting, full of praise, and a pleasure to work with.

William B.

Lessons with Tim were always fun and productive. He gave specific suggestions about technique to give me a better sound and he taught me a variety of ways to practice that continue to help me learn and understand jazz standards today. In addition to all of this, Tim is very encouraging and he creates a safe and fun learning environment.

Anabella M.

Freddy has been really great at creating a learning plan to fit my needs! Already learning so much.

Mary M.

I’ve been with Alexandra about a year this June. I’ve always wanted to have voice lessons and it turns out I got the perfect person for me. She has great energy, and she teaches how to read music, voice exercises, I believe everything that has to do with Singing. I’ve never heard of anyone teaching the way she does. She has great patience, and we have lots of fun and laughter in our session. I’m very blessed to have a teacher like her.

Brad L.

Francis is nice and he is good at the piano. It surprised me to see a pianist with experiences and repertoires on both classical and jazz.

Alan S.

As a music educator and professional musician myself for over 35 years, I can say unequivocally that Edward Green is the finest composition teacher I have ever known. His knowledge of music is deep and encyclopedic, spanning the Western tradition as well as the diverse cultures of the world. Most importantly, through his use of the Aesthetic Realism Teaching Method, he is able to encourage the best in his students. As I have seen in classes with him at the Manhattan School of Music and the Aesthetic Realism Foundation, and in private lessons, and have seen, too, in my own career as a music teacher, this method enables a student’s musical expression to flourish. There isn’t a day goes by that I don’t think of and benefit from what I’ve learned from Dr. Green.