Allyson C.

Montclair Voice Studio Distance distinguishes itself from other studios in providing a most optimal and holistic learning environment. Each student is fully assessed and given the tools to identify and correct “weaknesses”, build upon strengths and cultivate ones’ scholarship all while encouraging one to connect with the best opportunities for one’s own artistic/recreational/professional development. I truly cannot say enough about what a wonderful and RARE gem and model is found here. They see you at your best potential here and you leave the studio reaching that potential! Isn’t that the point of learning?!!!

Justin B.

Tanzania is a professional acting teacher and because of her, I know acting requires deeper skills and levels of emotions in order to become the character I am playing as. I’m still in the learning process but everything has been good so far and I trust Tanzania will turn me into a great actor.

Chris J.

Alex’s lessons are super relaxed, low pressure and fun. At the same time she has a great ear and strong attention to detail … so her feedback and instruction is very focused and insightful.

Sally B.

I loved the personal attention I got from my DPRdance Lessons. I spent time one on one with an instructor who developed our lesson plans for my personal needs! At one point I wanted to bring friends in for a group lesson, and they set the class up for me no problem!

Vassilis P.

One of the best collaborations I can recall is that with Maria Tsaroucha, who directed and led in my play “The Missing- an interesting life. This is a play which, on the occasion of the “difficult” subject of people missing in the aftermath of the Turkish invasion of Cyprus in 1974, deals with contemporary issues such as intentional ignorance and fear. The play had already been produced several times but Tsaroucha’s presentation surpassed all expectations. She presented it from the point of view of an ancient Greek tragedy and the production was enriched by the ancient emotion of Methexis and Catharsis. Through PAD, she was able to interlink contemporary theater with the rituals and the sacred emotion of Ancient Tragedy, thus presenting the audience with a invaluable esthetic experience. A unique experience also for the actors who participated and had the opportunity to explore their limits and abilities past the boundaries of the conventional acting technique. Moreover, Maria Tsaroucha, who had one of the leading roles, gave a live and fully characteristic instance of PAD, attaining to a performance overwhelming in its simplicity and naturalness.

Sello L.

Vitoria is a great acting coach. She’s helped me several times with auditions and she’s really helped me with breaking down scenes and finding nuances in finding certain aspects of characters. Working with her is always a pleasure, I would highly recommend working with her.

Dawn R.

Tremendous! Lori Kee is enthusiastic, passionate and knowledgeable. I enjoyed her energy, her presence and her patience.

Ben F.

Ari is kind and understanding, also patient to explain tricky technique concepts to a beginner and how to apply them to songs.