
Keni Cohen
About
Keni Cohen
Actor, Director Teacher
Testimonials
DON FLEMING
Summer Season Director, Seattle Children’s Theater
“Keni combines a total artistic vision with a precise and uncompromising attention to detail. He loves seeing, teaching and creating live theater and his love animates his shows in every moment of rehearsal and performance. Keni is a natural-born teacher, an unquenchable font of energy, and a true theater artist. Keni believes that creating great theater brings positive energy into the world and that his role in life is to do just that. I have known him to create and record music and sound effects second to none; to hunt down costumes and props that brilliantly, almost magically, fulfill his vision, and to do whatever it takes to make his shows great.”
_______________________________________________________
KAREN SHARP
Education Director, Seattle Children’s Theater
“Keni is a truly unique and gifted teacher. He is one of those rare teachers who is comfortable with and connects with students from ages 3-1/2 to 19 years old. Keni is extremely skilled at creating a rich, multi-layered experience for our students. He has an incredible ability to bring out the individual best in each and every student he has taught at Seattle Children’s Theater.”
________________________________________________________
KEVIN MALGESINI
Managing Director, Seattle Children’s Theater
“Keni has impacted thousands of young lives teaching Creative Drama, Acting 1-3, Physical Comedy, Performance Labs and countless other residencies and workshops as well as 11 Summer Seasons.”
_______________________________________________________
Jeanne Fhaliff
Middle School Drama Teacher
“Keni is a master at this type of arts integration. Through his decades of work as a theatre teaching artist, performer and social justice advocate, he has developed skills to not only produce important pieces of theatre, but to equip others to find their voice and speak for the greater good. Keni is a generous collaborator who listens and assesses each new environment and set of students, and skillfully leads them from where they are to places that they did not realize they could go. He is a powerful charismatic force that inspires students to do their best. He is a devil’s advocate that isn’t afraid to ask the hard questions that challenge the status quo. His belief in the ability of the arts to change the world for the better inspires young people to find their voices for social change. Those who have been lucky enough to work with Keni have been changed for the better.”
________________________________________________________
ELLEN FELDMAN
Co-Director, Santa Fe Children’s Museum:
“Each year Keni and Esther would not only write, direct, and perform but also design and build their own sets, costumes, and props. The shows were wonderfully imaginative and featured content that was sensitive to the audiences and conveyed positive values. Utilizing the popular theater forms of mime, clowning, juggling, magic, masks, puppets and music they captured the hearts of many children and adults.. As performers, their lively and spontaneous interaction with the audience was a special treat. These holidays quickly became a Santa Fe tradition.”
________________________________________________________
ANNA GALLEGOS Y REINHARDT
Executive Director, Warehouse 21 (Santa Fe)
“His hard work and innovative work was recognized by the public. His original theater pieces with the youth and earned them local recognition three years in a row as being one of ten best theater shows according to Pasatiempo, the entertainment, arts and culture magazine of our local New Mexican newspaper. Keni’s inspiration was transferred to the teen actors as he was able to help them realize their potential in the performing arts. His dramatic and street theater experiences brought on new youth perspectives which stimulated their curiosity and helped them become true committed emerging artists in theater. He also was capable of increasing awareness on social impact issues which made his audiences feel overwhelmed with the energy on stage. This type of audience development was impressive as they were amazed at the talent that was cultivated through intense dialogue, movement, dance, mime, story telling, poetry and acting.”
________________________________________________________
RICK LEMBERG
4-5th Grade Teacher for 11 years, Decatur Elementary
“Keni has ideas, energy, and a fun-loving attitude. I have seldom worked with an artist that has such respect from the students and for the students. He is someone any organization would benefit from”
________________________________________________________
IAN
Student and Actor
“Keni is one of the best directors I’ve ever worked with throughout my years as an actor. His charisma, enthusiasm and directorial insights make all of his shows amazing and a joy to be part of. He is also a fantastic teacher who taught me the ways of acting and how much fun it can be. Without him, I never would have gotten as far in acting as I have today.”
________________________________________________________
Resume: Keni Cohen
206-225-8134 [email protected]
I have over forty-five years of experience as a director, actor, mime and educator. I have created theater ensembles in France, Portugal and Brazil and New Mexico. As artist in residence for eight years in New Mexico, I taught over seventy residencies for all grade levels. At the Santa Fe Children’s Museum, I wrote, acted and directed eleven original family shows. In Seattle I have worked with Youth Theater Northwest, Foundry10, Two Roads, Disney in the School, Project Interact, Northwest Actors’ Studio, West Seattle Kids and Studio East, and many other projects. Most recently, I worked with Seattle Children’s Theater (SCT) for nineteen years, where I directed eleven summer season shows. I have taught hundreds of workshops in public and private schools as part of the SCT Outreach Program.
I studied theater with Robert Alexander “Living Stage”, Cecile Leneman “Theater of Man”, Cultural Training Center of San Francisco, San Francisco Mime Troupe, and the Actors’ Theater of Santa Fe. I studied Mime with Ann Jankovic, Leonard Pitt and Masters Etienne Decroux and Marcel Marceau. I studied the Grotowski Technique with Yeve Lebraton, Modern Dance with Caroline Carson, Cynthia Briggs, Jay Parker Copley and Bill Evans, Jazz Dance with Cathy Roe, ballet with Suzanne Ousov and Nancy Waterman and circus skills with the Pickle Family Circus.
Seattle Children’s Theater
2000 – 2019
Acting
Improvisation
Physical Comedy
Creative Drama
Outreach, Pre-School through High School, Community centers, Libraries, Art Galleries
Summer Season Director, 11 Seasons
Seattle Theater Group
2016 – 2019
Disney in the Schools
Foundry 10
2016 – 2019
Social Justice Workshops and Performances
Art in Education Camps
Various Projects
2000 – 2019
Youth Theater Northwest
Project Interact
Two Roads
Studio East
Project Lift Off
Northwest Actors Studio
Tribes Project
Seattle Children’s Theater
Summer Season Productions directed by Keni Cohen
2019 – Wrinkle in Time
by Madeleine L’Engle adapted by Morgan Gould
2018 – Alice Through the Looking Glass
by Lewis Carrol adapted by Don Fleming revised by Ramon Esquivel
2017 – The Tempest=
by William Shakespeare adapted by Don Fleming
2016 – Macbeth
by William Shakespeare adapted by Don Fleming
2015 – Humor Games
by Dean O’Carrol
2014 – There’s a Boy in the Girl’s Bathroom
by Louis Sachar
2013 – Gulliver’s Travels
by Johnathan Swift adapted by Don Fleming
2011 – Midsummer Night’s Dream
by William Shakespeare
2010 – Jungal
by Ed Mass
2009 – Wayside Stories
by Lous Sachar
2008 – Medieval Farces
by Don Fleming
Warehouse 21 Teen Project (Santa Fe)
Theater of Urgency directed by Keni Cohen
1998 – Choking on Reality
A research into the multitude of ways violence is woven into contemporary culture
1997 – A Traveler’s Tale with The Clan Tynker
A Celtic blending of theater and circus – a Fantastical Family
(Original collective creation)
1996 – Temporary Insanity
(Original collective creation)
A ritualistic voyage through the history of technology and how it has altered our social relationships from tribal to digital times
1995 – Conference of the Birds
By Peter Brook and Jean Claude Carrie
Based on a classical Sufi poem about the search for a meaningful god
1994 – Men, Women and Dreams
(Original Collective Creation)
A poetic and insightful look at young men and women in today’s complex world.
1993 – Rhinoceros
By Eugene Ionesco
A masterful absurdist look at the dynamics of rising fascism
1992 – Kathmandu
Original one man show by “Josh Shrei”
A keenly personal, philosophical and idealistic odyssey through Tibet
1993 – 1997: Community-focused Street Theater
Santa Fe Children’s Museum Holiday Shows
Keni and Esther Cohen
2000 – Unsung Heroes - Extended Family Ensemble
1998 – Milk and Honey - A World-Beat Circus
1997 – A Travelers’s Tale - The Clan Tynker
1996 – The Wizard and the Clown
1995 – Rei Gula Gula
1994 – TV 2000
1993 – Get Over It
1992 – I Wanna Be
1991 – I’ve Been There
1990 – The Secret Hidden Myth of a Clown
1989 – What is the Difference Between the Brain of a Clown and the Brain of a Normal Human Being
Santa Fe New Mexico
Director
1998 - Choking on Reality (Original Creation) – Theater of Urgency
1997 - A Traveller’s Tale (Original Creation) – The Clan Tynker
1996 - False Witness Robert Krakow – Trial of Adolf Hitler
1996 - Temporary Insanity (Original Creation) – Theater of Urgency
1995 - Conference of the Birds Peter Brook – Theater of Urgency
1994 - Roots and Revolution (Original Creation) – Esther Marion
1994 - Men, Women and Dreams (Original Creation) – Theater of Urgency
1993 - I Once Knew a Man (Original Creation) – Nancy Wright Cooper
1993 - Rhinoceros Eugene Ionesco – Theater of Urgency
1992 - Kathmandu (Original Creation) – Josh Shrei
1989-1998 - Holiday Show (Original Creation) – Santa Fe Children’s Museum
Performance
1989-1998 - Santa Fe Children’s Museum 10 Original Shows
1997 - Theater of Urgency Kenick Mcowen, “A Traveller’s Tale”
1991 - Santa Fe Performing Arts Lucien, “Boys Next Door” Tom Griffen
1991 - Shakespeare in Santa Fe Sir Andrew Aguecheek, “Twelfth Night”
1991 - Santa Fe Performing Arts Tommy, “Dreamer Examines his Pillow” John Patrick Shanley
1990 - Actors’ Theater Carl, “Getting Out” Marsha Norman
1989 - Shakespeare in Santa Fe Demetrius, “Midsummer Night’s Dream”
1989 - Zona de Teatro El Bosso, “El Somberon” collective creation
1989 - All Species Day Ringmaster
1989 - Something in the Air Jazz Dance and Mime
1989 - Santa Fe Performing Arts Jazz dancer and Mime, “Olympic Gloriosus”
1988 - Shakespeare in Santa Fe Touchstone, “As You Like It”
1988 - Santa Fe Performing Arts Dracular, “Ratz”
1988 - Santa Fe Playhouse Sylvio, “Private Wars” James McClure
1988 - Armory for the Arts Hansel, “Hansel and Gretel”
Brazil
1985-1987 - Grupo Flor de la Terra “Come, Mas Nao Come Nos”, “Forest Encantada,” “Maraginho a Limozinho.” “Folias de Verao”
1984-1985 – “Pe na Estrada,” “Beiju na Boca de Mundo,” “King Kong,” “Classical Punk”
1983 – “Hanky Panky” (One man show)
United States
1983 – “Town Clowns” Various improvisational shows, Washington, DC
1982- 1983 - Nemo “Yellow Yellow”, One man show, Washington DC
1982 - Roundhouse Theater “Tristan and Isolde”, Maryland
1974 - Theater of Man “Rainbow Caper”, San Francisco
1973-1975 - Mime Project Collective Ensemble, San Francisco
1972-1973 - Moving Works (Original works,) Washington, DC
Portugal
1981 - Marmalade Mime Teatro “Wild Strawberries”
1980-1981 - Teatro Laboratorio “Alice no Pais das Maravilhas”
1980-1981 - “Peixe Perdido, Peixe Cozido”, “Concerto”
France
1979-1980 - Chameleon Mime Compnany “Kepler’s Dream”
1979 - Starmania Rock Musical, Directed by Tom O’Horgan (Hair)
1979 - Troupe Marcel Marceau “Le Cri des Oiseaux”
First of all its creative. I like the dynamic of sharing knowledge and seeing my students grow and enjoy an art form that I love so dearly.